We sent our Plaster Shoots photographer down to the ICA to capture the opening night of 'pool7', the first UK solo show by Nora Turato

Plaster Shoots: Nora Turato at the ICA

Plaster Shoots: Nora Turato at the ICA

Photography: Colin Mullins

Plaster Shoots: Nora Turato at the ICA
A photograph of someone's jacket saying 'ecstasy' in front of a painting by Soldier Soldier photographed by Freddi Losel-Ingham

Freddi Losel-Ingham captured the crowd at the opening of 'Black Star', Soldier's second-ever solo show at Kearsey & Gold. Were you papped?

Plaster Shoots: Soldier at Kearsey & Gold

Plaster Shoots: Soldier at Kearsey & Gold

Photography: Freddi Losel-Ingham

Plaster Shoots: Soldier at Kearsey & Gold

Matthew Holman visits Sheffield to find a burgeoning community of artists and galleries proving that it’s not 'grim up north'

Don’t knock Sheffield: “There’s a sense that everything in the arts is closing, but we are just opening up”

Don’t knock Sheffield: “There’s a sense that everything in the arts is closing, but we are just opening up”

Words: Matthew Holman

Don’t knock Sheffield: “There’s a sense that everything in the arts is closing, but we are just opening up”

Thirsty Thursday: “Come back! Joe Jonas is here!”

Thirsty Thursday: “Come back! Joe Jonas is here!”

Words and photography: Billy Parker

Dora Densham Bond

Thirsty Thursday: “Come back! Joe Jonas is here!”
Two photographs of people at a private view, one from the 90s and one a recent image Two photographs of people at a private view, one from the 90s and one a recent image

Is London in the midst of an art scene resurgence? Harriet Lloyd-Smith uncovers...

Is the London art scene actually back?

Is the London art scene actually back?

Words: Harriet Lloyd-Smith

Is the London art scene actually back?
A painting by William S. Burroughs A painting by William S. Burroughs

Billy Parker heads to October Gallery to review the show

William S. Burroughs: an analysis of destruction

William S. Burroughs: an analysis of destruction

Words: Billy Parker

William S. Burroughs: an analysis of destruction

The Plaster team captured the opening night of Søren Arildsen's first UK solo show at The Artist Room

Plaster Shoots: Søren Arildsen at The Artist Room

Plaster Shoots: Søren Arildsen at The Artist Room

Plaster Shoots: Søren Arildsen at The Artist Room

From intestinal candles to salvaged soft toys and more, discover what's on offer at the new Plaster Store in Soho

Great artworks for sale in the Plaster Store

Great artworks for sale in the Plaster Store

Great artworks for sale in the Plaster Store

Jamal Springer-Lynch captured the launch party of Shapeshifting, a new publication by Evan Purdy and Molly Maltman

Plaster Shoots: a night of shapeshifting dance at Reference Point

Plaster Shoots: a night of shapeshifting dance at Reference Point

Photography: Jamal Springer-Lynch

Plaster Shoots: a night of shapeshifting dance at Reference Point
A photograph of people dancing at a gig for the Far From Magazine launch A photograph of people dancing at a gig for the Far From Magazine launch

We sent photographer Isabel MacCarthy to get stuck into the moshpit...

Plaster Shoots: Far From Issue Two launch

Plaster Shoots: Far From Issue Two launch

Photography: Isabel MacCarthy

Plaster Shoots: Far From Issue Two launch

#thirsttrap art is a steamy new micro-movement that has been plaguing Billy Parker’s Insta algorithm. So what exactly is it?

The rise of #hotboybadart

The rise of #hotboybadart

Words: Billy Parker

The rise of #hotboybadart

How do art grads approach pricing their work in a murky market?

Can you actually afford an MFA grad’s work?

Can you actually afford an MFA grad’s work?

Words: Rachel Kubrick

Can you actually afford an MFA grad’s work?

With the UK arts sector in chaos, Tom Seymour revisits a utopian vision from '60s politician Jennie Lee, that made some waves in the art world

There was once a utopian vision of UK arts funding. What the hell happened?

There was once a utopian vision of UK arts funding. What the hell happened?

Words: Tom Seymour

There was once a utopian vision of UK arts funding. What the hell happened?

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