How does a Punk legend like Caroline Coon deal with rejection?

Caroline Coon’s Rejection Letter: “The very word makes me nauseous”

Caroline Coon’s Rejection Letter: “The very word makes me nauseous”

Caroline Coon’s Rejection Letter: “The very word makes me nauseous”

Janelle Zara finds denial and disillusionment during a wild week in Miami

Miami Art Week: “The best Art Basel party is always the one you missed”

Miami Art Week: “The best Art Basel party is always the one you missed”

Writer: Janelle Zara

Miami Art Week: “The best Art Basel party is always the one you missed”

When a new exhibition, ‘Electric Dreams: Art and Technology Before the Internet’ opened at Tate, Harriet Lloyd-Smith thought it would be a fun idea to review it with no internet. It was not…

I tried to review an art show like it was 1983. It was a disaster

I tried to review an art show like it was 1983. It was a disaster

words Harriet Lloyd-Smith

I tried to review an art show like it was 1983. It was a disaster

Seth Price did his art education backwards, starting with experimental film and only recently turning to paint. Staff writer Jacob Wilson spoke with Price about going back to basics, testing out new tech and making “cool shit.”

Where do you start with Seth Price?

Where do you start with Seth Price?

Words: Jacob Wilson

Photographs: Milly Cope

Where do you start with Seth Price?

Milo Astaire embarks on his first-ever maiden press trip, one shrouded in self-doubt, and admiration for Louise Giovanelli

You never forget your first press trip: “I’m equally surprised to be here”

You never forget your first press trip: “I’m equally surprised to be here”

Words: Milo Astaire

You never forget your first press trip: “I’m equally surprised to be here”

Jacob Wilson breaks a personal rule and walked down Oxford Street to try and understand what Frank Auerbach saw in the city

Braving Oxford Street for Frank Auerbach

Braving Oxford Street for Frank Auerbach

Words: Jacob Wilson

Braving Oxford Street for Frank Auerbach

There were cold hands and hot vibes on Cork Street for the launch of Plaster's guest-edited issue of Catalogue

Plaster Shoots: Catalogue Issue 7.0 launch, guest-edited by yours truly

Plaster Shoots: Catalogue Issue 7.0 launch, guest-edited by yours truly

Words: Plaster Staff

Photography: Colin Mullins

Plaster Shoots: Catalogue Issue 7.0 launch, guest-edited by yours truly

These artists should be on your radar

The Radar: Shauna Cribbin, Marietta Mavrokordatou and Ni Hao

The Radar: Shauna Cribbin, Marietta Mavrokordatou and Ni Hao

The Radar: Shauna Cribbin, Marietta Mavrokordatou and Ni Hao

Dean JF Hoy hosted a teddy bear funeral n memory of the toys he's lived with and loved

Dean JF Hoy brings heavy vibes with his teddy bears’ funeral

Dean JF Hoy brings heavy vibes with his teddy bears’ funeral

Words: Kitty Grady

Dean JF Hoy brings heavy vibes with his teddy bears’ funeral

The 84-year-old artist has been labelled many things: a feminist, a lesbian, a woman artist, Jewish. She says it’s all endless and it’s all true

Joan Snyder hates art openings and hates going out

Joan Snyder hates art openings and hates going out

Words: Rose Courteau

Photography: Kiernan Francis

Joan Snyder hates art openings and hates going out

Who even made that? Attributing paintings to artists has always been a slow, difficult, complicated job, even for experts, now, Artificial Intelligence is changing the art authentication game. Should we be alarmed? Noah Charney explores

Art authenticators: AI could be your new best friend

Art authenticators: AI could be your new best friend

Words: Noah Charney

Art authenticators: AI could be your new best friend

The best advice is harsh but true and is born of experience and bitter pain, and there’s plenty of that in Plaster’s agony aunt column. This week, Georgia O’Grief helps an artist lost in translation

Dear Plaster: Nobody understands my exhibition text!

Dear Plaster: Nobody understands my exhibition text!

Words: Georgia O’Grief

Dear Plaster: Nobody understands my exhibition text!

The first London launch of New York literary magazine Heavy Traffic promised to draw a crowd to Camden Art Centre. Photographer Isabel MacCarthy and staff writer Jacob Wilson went along to see what went down

Plaster Shoots: Heavy Traffic at Camden Art Centre

Plaster Shoots: Heavy Traffic at Camden Art Centre

Words: Jacob Wilson

Photography: Isabel MacCarthy

Plaster Shoots: Heavy Traffic at Camden Art Centre

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