articles
articles


Plaster joined the artist and filmmaker for an afternoon travelling across new New York City
Interviews
Watch
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Interview
Dora Densham Bond
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2 min read
Watch: An afternoon in New York with Amalia Ulman
Watch: An afternoon in New York with Amalia Ulman
Interview Dora Densham Bond
Watch: An afternoon in New York with Amalia Ulman

Bruce LaBruce's London premiere for his new film doubled as a sex party and club night
Features
Reviews
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Words:
Bailey Slater
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10 min read
Bruce LaBruce wants to bring fucking back to theatres: “We’re all cruising tonight”
Bruce LaBruce wants to bring fucking back to theatres: “We’re all cruising tonight”
Words: Bailey Slater
Bruce LaBruce wants to bring fucking back to theatres: “We’re all cruising tonight”

We sent multi-disciplinary artist and all-round icon Jenkin Van Zyl to Madame Tussauds
Interviews
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Words and photography:
Dora Densham Bond
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8 min read
Jenkin van Zyl in Madame Tussauds: “That was a lot, I need a vape”
Jenkin van Zyl in Madame Tussauds: “That was a lot, I need a vape”
Words and photography: Dora Densham Bond
Jenkin van Zyl in Madame Tussauds: “That was a lot, I need a vape”

“In the end, all we’ll amount to is a sack of bloody slop”
Features
Opinion
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Words:
Harriet Lloyd-Smith
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9 min read
“In the end, all we’ll amount to is a sack of bloody slop”
“In the end, all we’ll amount to is a sack of bloody slop”
Words: Harriet Lloyd-Smith
“In the end, all we’ll amount to is a sack of bloody slop”

Kyle MacNeill explores why the flying rats are taking over the art and fashion industries
Opinion
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Words:
Kyle MacNeill
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9 min read
How pigeons clawed back their cultural cachet
How pigeons clawed back their cultural cachet
Words: Kyle MacNeill
How pigeons clawed back their cultural cachet

Abel Ferrara talks blood-dripping crucifixes, black-and-white cinema and the “forever” of da Vinci
Interviews
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Words:
Livia Magyar
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9 min read
Abel Ferrara: “It’s a constant battle against mediocrity”
Abel Ferrara: “It’s a constant battle against mediocrity”
Words: Livia Magyar
Abel Ferrara: “It’s a constant battle against mediocrity”

Do artists make the best horror film villains?
Features
Opinion
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Words:
Oskar Oprey
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9 min read
“I make art until someone dies”: In defence of on-screen art villains
“I make art until someone dies”: In defence of on-screen art villains
Words: Oskar Oprey
“I make art until someone dies”: In defence of on-screen art villains

Matthew Barney’s ghostly stadium dissects the brutality of American Football and our insatiable appetite for trauma
Features
Reviews
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Words:
Harriet Lloyd-Smith
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8 min read
Matthew Barney: an anatomy of sports violence
Matthew Barney: an anatomy of sports violence
Words: Harriet Lloyd-Smith
Matthew Barney: an anatomy of sports violence

We look at how art has been represented, and misrepresented, in the Romance genre
Features
Opinion
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Words:
Isabel Walter
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7 min read
Art on film: is romance dead?
Art on film: is romance dead?
Words: Isabel Walter
Art on film: is romance dead?

Nan Goldin’s guttural ode to rebellious girls and chosen family arrives in London
Reviews
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Words:
Eloise Hendy
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9 min read
Are “frenzied women” born or made? Eloise Hendy on Nan Goldin
Are “frenzied women” born or made? Eloise Hendy on Nan Goldin
Words: Eloise Hendy
Are “frenzied women” born or made? Eloise Hendy on Nan Goldin

Three writers and 36 hours later, we bring you a 360 review of Harmony Korine’s latest film, and paintings and unpack the myth behind the cult maestro
Reviews
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Words:
Jacob Wilson
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Finn Constantine
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James Jessiman
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12 min read
36 hours of Harmony Korine
36 hours of Harmony Korine
Words: Jacob Wilson
Finn Constantine
James Jessiman
36 hours of Harmony Korine

Ahead of his Venice Biennale moment, filmmaker John Akomfrah speaks to Harriet Lloyd-Smith. This interview appears in the limited-edition Venice special issue of Plaster – buy now
Features
Interviews
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Words:
Harriet Lloyd-Smith
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15 min read
John Akomfrah in Venice: a long time coming
John Akomfrah in Venice: a long time coming
Words: Harriet Lloyd-Smith
John Akomfrah in Venice: a long time coming

Osman Can Yerebakan reviews Arthur Jafa’s concurrent New York shows, which recast Taxi Driver and envelop visitors in a black mirror of images
Reviews
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Words:
Osman Can Yerebakan
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8 min read
Arthur Jafa retells New York film history