Tate
Sometimes it's not just slow and steady that wins the race
Features
–
Words:
Debbie Meniru
–
8 min read
How long should we be looking at art? In defence of the brief encounter
How long should we be looking at art? In defence of the brief encounter
Words: Debbie Meniru
How long should we be looking at art? In defence of the brief encounter
Tate Modern’s latest Picasso show promises theatre but delivers amateur dramatics
Features
–
Words:
Matthew Holman
–
9 min read
Tate’s Theatre Picasso fluffs its lines
Tate’s Theatre Picasso fluffs its lines
Words: Matthew Holman
Tate’s Theatre Picasso fluffs its lines
Ed Atkins’ mid-career retrospective is a chaotic mix of digital doom and family nostalgia
Features
–
Words:
Oskar Oprey
–
11 min read
This might hurt: Ed Atkins at Tate Britain
This might hurt: Ed Atkins at Tate Britain
Words: Oskar Oprey
This might hurt: Ed Atkins at Tate Britain
“In the end, all we’ll amount to is a sack of bloody slop”
Features
–
Words:
Harriet Lloyd-Smith
–
9 min read
“In the end, all we’ll amount to is a sack of bloody slop”
“In the end, all we’ll amount to is a sack of bloody slop”
Words: Harriet Lloyd-Smith
“In the end, all we’ll amount to is a sack of bloody slop”
London is in the grips of a morbid obsession with gothic pop culture, mythology and the entertainment industry
Features
–
Words:
Oskar Oprey
–
11 min read
Mike Kelley, Batman and serial killers: London’s gritty era
Mike Kelley, Batman and serial killers: London’s gritty era
Words: Oskar Oprey
Mike Kelley, Batman and serial killers: London’s gritty era
If the Turner Prize is dead, is it time for an autopsy or a resuscitation?
Features
–
Words:
Mark Hudson
–
13 min read
The Turner Prize at 40: should we just put it out of its misery?
The Turner Prize at 40: should we just put it out of its misery?
Words: Mark Hudson
The Turner Prize at 40: should we just put it out of its misery?
Immersive is the buzzword of art this decade, but Anthony McCall has been immersing since the 1970s
Interviews
–
Words:
Harriet Lloyd-Smith
–
9 min read
Anthony McCall: the father of immersive art
Anthony McCall: the father of immersive art
Words: Harriet Lloyd-Smith
Anthony McCall: the father of immersive art
Ahead of Yoko Ono's major show at Tate Modern, Milo Astaire – Plaster co-founder and diagnosed Beatles superfan – reflects on how the world is finally catching up
Features
–
Words:
Milo Astaire
–
7 min read
Yoko Ono: an artist for our times
Yoko Ono: an artist for our times
Words: Milo Astaire
Yoko Ono: an artist for our times
Two London exhibitions explore how fighting for women’s rights is arduous work
Features
–
Words:
Emily Steer
–
7 min read
Woman up! London is fizzing with fiery feminist art
Woman up! London is fizzing with fiery feminist art
Words: Emily Steer
Woman up! London is fizzing with fiery feminist art
The British artist’s Tate show leaves Philippa Snow craving a fag
Features
–
Words:
Philippa Snow
–
6 min read
Sarah Lucas is highly addictive