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Search results for “film”

Search results for “film”

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articles

Osman Can Yerebakan reviews Arthur Jafa’s concurrent New York shows, which recast Taxi Driver and envelop visitors in a black mirror of images
Opinion Reviews – Words: Osman Can Yerebakan – 6 min read

Arthur Jafa retells New York film history

Arthur Jafa retells New York film history

Words: Osman Can Yerebakan
Ahead of his Venice Biennale moment, filmmaker John Akomfrah speaks to Harriet Lloyd-Smith. This interview appears in the limited-edition Venice special issue of Plaster – buy now
Features Interviews – Words: Harriet Lloyd-Smith – 13 min read

John Akomfrah in Venice: a long time coming

John Akomfrah in Venice: a long time coming

Words: Harriet Lloyd-Smith
Harriet Lloyd-Smith visits an exhibition about glitches. She leaves with a mild headache and a mind blown
Opinion Reviews – Words: Harriet Lloyd-Smith – 7 min read

Picture a glitch: when art goes wrong

Picture a glitch: when art goes wrong

Words: Harriet Lloyd-Smith
Amah-Rose Abrams explores how artists working in traditionally ‘uncommodifiable’ practices market their work
Features Opinion – Words: Amah-Rose Abrams – 10 min read

Priceless: how do you sell unsellable art?

Priceless: how do you sell unsellable art?

Words: Amah-Rose Abrams
Travis Diehl catches up with multi-hyphenate artist-intellectual Aria Dean ahead of her first-ever UK show at London’s ICA
Interviews – Words: Travis Diehl – 9 min read

In the slaughterhouse with Aria Dean

In the slaughterhouse with Aria Dean

Words: Travis Diehl
Katie Tobin explores why the tragic deaths of female artists become the stuff of clickbait fodder
Features Opinion – Words: Katie Tobin – 7 min read

Why are we so obsessed with how female artists die?

Why are we so obsessed with how female artists die?

Words: Katie Tobin
A black and white photograph of Kurt Cobain with 'The Piano' film title and credits overlaid A black and white photograph of Kurt Cobain with 'The Piano' film title and credits overlaid
Last Movies examines the final films that major 20th-century figures saw before dying
Features Interviews – Words: Clive Martin – 7 min read

What’s the last movie you’ll see before you die?

What’s the last movie you’ll see before you die?

Words: Clive Martin
A video still of a woman in a mythical creature costume for Marianna Simnett's 'GORGON', 2023 A video still of a woman in a mythical creature costume for Marianna Simnett's 'GORGON', 2023
As a new wave of artists create work in response to the Greek myth, Emily Steer explores why her tale still holds contemporary resonance
Features – Words: Emily Steer – 3 min read

Why are artists obsessing over Medusa?

Why are artists obsessing over Medusa?

Words: Emily Steer
A photograph of Julianknxx sat at a desk in his studio A photograph of Julianknxx sat at a desk in his studio
Sierra Leonean artist Julianknxx crosses disciplines and geographies in his installation ‘Chorus in Rememory of Flight’ at The Barbican, London
Interviews – Words: Elisha Tawe – 4 min read

The rise and soar of Julianknxx: “How do I carry all my histories with me without negating who I am?”

The rise and soar of Julianknxx: “How do I carry all my histories with me without negating who I am?”

Words: Elisha Tawe
A black and white photograph of Shirin Neshat posing in her Brooklyn studio A black and white photograph of Shirin Neshat posing in her Brooklyn studio
Iranian artist Shirin Neshat discusses her new film, The Fury, a fictionalised horror rooted in an even more horrific reality
Interviews – Words: Harriet Lloyd-Smith – 6 min read

Shirin Neshat: “How much can we resist pain and torture? At what point do we break?”

Shirin Neshat: “How much can we resist pain and torture? At what point do we break?”

Words: Harriet Lloyd-Smith
Copyright Plaster Magazine 2024
Copyright Plaster Magazine 2024

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