The art dealer turned author talks to Jacob Wilson about his new book, 'All That Glitters', which lays out the dramatic rise and fall of his former friend and business partner Inigo Philbrick

Orlando Whitfield sets the story straight on Inigo Philbrick

Orlando Whitfield sets the story straight on Inigo Philbrick

Words: Jacob Wilson
Pieter-Jan de Paepe chats with Julia Adelgren ahead of her recent show in Lisbon

Julia Adelgren: “Painting is akin to swimming in deep water, collecting items from the ocean floor”

Julia Adelgren: “Painting is akin to swimming in deep water, collecting items from the ocean floor”

Words: Pieter-Jan de Paepe
Frank Lebon, One Blood, published by Little Big Man Books
Frank Lebon's first monograph, One Blood, explores intimate acts in unusual times

Frank Lebon photographs the blood that binds us

Frank Lebon photographs the blood that binds us

Words: Jacob Wilson
'Le monde comme il va' ('The world as it goes') reveals contemporary artists’ heightened awareness of the present

Excess, paradox and instability at the Bourse de Commerce

Excess, paradox and instability at the Bourse de Commerce

Words: Izzy Bilkus
The Radar: spotlighting the hottest artists

The Radar: Laila Majid, Leonard Baby and Nicholas Bierk

The Radar: Laila Majid, Leonard Baby and Nicholas Bierk

Words: Izzy Bilkus
Ahead of his Venice Biennale moment, filmmaker John Akomfrah speaks to Harriet Lloyd-Smith. This interview appears in the limited-edition Venice special issue of Plaster – buy now

John Akomfrah in Venice: a long time coming

John Akomfrah in Venice: a long time coming

Words: Harriet Lloyd-Smith
Chinese artist Yu Hong’s first major exhibition in Europe takes over a deconsecrated Venetian monastery 

Yu Hong brings supernatural realism to Venice

Yu Hong brings supernatural realism to Venice

Words: Harriet Lloyd-Smith
Guglielmo Castelli speaks to Plaster ahead of mounting his most ambitious exhibition to date in Venice

Guglielmo Castelli in Venice: “I want visitors to enter like a liquid”

Guglielmo Castelli in Venice: “I want visitors to enter like a liquid”

Words: Laurie Barron

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