We sent multi-disciplinary artist and all-round icon Jenkin Van Zyl to Madame Tussauds

Jenkin van Zyl in Madame Tussauds: “That was a lot, I need a vape”

Jenkin van Zyl in Madame Tussauds: “That was a lot, I need a vape”

Words and photography: Dora Densham Bond
“In the end, all we’ll amount to is a sack of bloody slop”

“In the end, all we’ll amount to is a sack of bloody slop”

“In the end, all we’ll amount to is a sack of bloody slop”

Words: Harriet Lloyd-Smith
Kyle MacNeill explores why the flying rats are taking over the art and fashion industries

How pigeons clawed back their cultural cachet

How pigeons clawed back their cultural cachet

Words: Kyle MacNeill
Abel Ferrara talks blood-dripping crucifixes, black-and-white cinema and the “forever” of da Vinci

Abel Ferrara: “It’s a constant battle against mediocrity”

Abel Ferrara: “It’s a constant battle against mediocrity”

Words: Livia Magyar
Do artists make the best horror film villains?

“I make art until someone dies”: In defence of on-screen art villains

“I make art until someone dies”: In defence of on-screen art villains

Words: Oskar Oprey
Drawing Restraint 27, 2024 © Matthew Barney Photo : Justin Westover Drawing Restraint 27, 2024 © Matthew Barney Photo : Justin Westover
Matthew Barney’s ghostly stadium dissects the brutality of American Football and our insatiable appetite for trauma

Matthew Barney: an anatomy of sports violence

Matthew Barney: an anatomy of sports violence

Words: Harriet Lloyd-Smith
We look at how art has been represented, and misrepresented, in the Romance genre

Art on film: is romance dead?

Art on film: is romance dead?

Words: Isabel Walter
Nan Goldin’s guttural ode to rebellious girls and chosen family arrives in London

Are “frenzied women” born or made? Eloise Hendy on Nan Goldin

Are “frenzied women” born or made? Eloise Hendy on Nan Goldin

Words: Eloise Hendy
Three writers and 36 hours later, we bring you a 360 review of Harmony Korine’s latest film, and paintings and unpack the myth behind the cult maestro 

36 hours of Harmony Korine

36 hours of Harmony Korine

Words: Jacob Wilson
Finn Constantine
James Jessiman
Ahead of his Venice Biennale moment, filmmaker John Akomfrah speaks to Harriet Lloyd-Smith. This interview appears in the limited-edition Venice special issue of Plaster – buy now

John Akomfrah in Venice: a long time coming

John Akomfrah in Venice: a long time coming

Words: Harriet Lloyd-Smith
Osman Can Yerebakan reviews Arthur Jafa’s concurrent New York shows, which recast Taxi Driver and envelop visitors in a black mirror of images

Arthur Jafa retells New York film history

Arthur Jafa retells New York film history

Words: Osman Can Yerebakan
Harriet Lloyd-Smith visits an exhibition about glitches. She leaves with a mild headache and a mind blown

Picture a glitch: when art goes wrong

Picture a glitch: when art goes wrong

Words: Harriet Lloyd-Smith
Amah-Rose Abrams explores how artists working in traditionally ‘uncommodifiable’ practices market their work

Priceless: how do you sell unsellable art?

Priceless: how do you sell unsellable art?

Words: Amah-Rose Abrams

Suggested topics

Suggested topics