Travis Diehl catches up with multi-hyphenate artist-intellectual Aria Dean ahead of her first-ever UK show at London’s ICA

In the slaughterhouse with Aria Dean

In the slaughterhouse with Aria Dean

Words: Travis Diehl
Installation shot of a Chantal Akerman film at Ambika P3 London which shows a half naked female standing in front of a mirror Installation shot of a Chantal Akerman film at Ambika P3 London which shows a half naked female standing in front of a mirror.
Katie Tobin explores why the tragic deaths of female artists becomes the stuff of clickbait fodder

Why are we so obsessed with how female artists die?

Why are we so obsessed with how female artists die?

Words: Katie Tobin
A black and white photograph of Kurt Cobain with 'The Piano' film title and credits overlaid A black and white photograph of Kurt Cobain with 'The Piano' film title and credits overlaid
Last Movies examines the final films that major 20th-century figures saw before dying

What’s the last movie you’ll see before you die?

What’s the last movie you’ll see before you die?

Words: Clive Martin
A video still of a woman in a mythical creature costume for Marianna Simnett's 'GORGON', 2023 A video still of a woman in a mythical creature costume for Marianna Simnett's 'GORGON', 2023
As a new wave of artists create work in response to the Greek myth, Emily Steer explores why her tale still holds contemporary resonance

Why are artists obsessing over Medusa?

Why are artists obsessing over Medusa?

Words: Emily Steer
A photograph of Julianknxx sat at a desk in his studio A photograph of Julianknxx sat at a desk in his studio
Sierra Leonean artist Julianknxx crosses disciplines and geographies in his installation ‘Chorus in Rememory of Flight’ at The Barbican, London

The rise and soar of Julianknxx: “How do I carry all my histories with me without negating who I am?”

The rise and soar of Julianknxx: “How do I carry all my histories with me without negating who I am?”

Words: Elisha Tawe
A black and white photograph of Shirin Neshat posing in her Brooklyn studio A black and white photograph of Shirin Neshat posing in her Brooklyn studio
Iranian artist Shirin Neshat discusses her new film, The Fury, a fictionalised horror rooted in an even more horrific reality

Shirin Neshat: “How much can we resist pain and torture? At what point do we break?”

Shirin Neshat: “How much can we resist pain and torture? At what point do we break?”

Words: Harriet Lloyd-Smith

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