“In the end, all we’ll amount to is a sack of bloody slop”

“In the end, all we’ll amount to is a sack of bloody slop”

“In the end, all we’ll amount to is a sack of bloody slop”

Words: Harriet Lloyd-Smith
Kyle MacNeill explores why the flying rats are taking over the art and fashion industries

How pigeons clawed back their cultural cachet

How pigeons clawed back their cultural cachet

Words: Kyle MacNeill
Josh Kline's new show describes an automated apocalypse - Plaster gets his take

Josh Kline: “We’re in a moment where the art market has engulfed the art world”

Josh Kline: “We’re in a moment where the art market has engulfed the art world”

Words: Travis Diehl
Immersive is the buzzword of art this decade, but Anthony McCall has been immersing since the 1970s

Anthony McCall: the father of immersive art

Anthony McCall: the father of immersive art

Words: Harriet Lloyd-Smith
In Houston, artist Theaster Gates is giving new life to neglected hardware

Theaster Gates: artist, cultural resuscitator

Theaster Gates: artist, cultural resuscitator

Words: Janelle Zara
Mark Sheerin visits the immersive art experience ‘Bassins de Lumières’, and discovers a thrill ride with little meaning and a very mucky history

Art show in former Nazi base is an immersive experience too far

Art show in former Nazi base is an immersive experience too far

Words: Mark Sheerin
For the February edition of The Radar, we spotlight Beca Alcorta, Holly Jones and Ragini Bhow

The Radar: Beca Alcorta, Holly Jones and Ragini Bhow

The Radar: Beca Alcorta, Holly Jones and Ragini Bhow

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