The Radar: Florence Reekie, Max Xeno Karnig and Ellen Hanson
8 min read
In our monthly series, The Radar, we ask quick-fire questions to artists we’ve got our eye on. This roundup spotlights Florence Reekie, Max Xeno Karnig and Ellen Hanson
Florence Reekie
Self-taught artist Florence Reekie creates intricate and carefully rendered works informed by her interest in the materiality and luminosity of oil paint. Reekie often reimagines the role of drapery in painting, featuring shimmering fabrics, silk-gloved hands and flowing ribbons that have been mysteriously discarded. By spotlighting drapery, a long-standing yet often overlooked element of classical painting, Reekie sparks conversations about identity, vanity and perception.
Age: 32
Location: South West France
Last dream you had: I’m currently in the middle of a house/studio move so most of my dreams consist of big empty spaces and forgetting to bring the dog with me
Favourite exhibition: ‘Fashioning Masculinities’ at the V&A in 2022. I’ve also always loved everything I’ve seen at Jupiter Artland outside Edinburgh
Favourite object you own: Photo albums
Favourite art-world Instagram account: @eatenmag for all the food still lifes
Favourite movie: Tough question but I’ll watch anything by Sofia Coppola
Favourite artwork: Primavera by Botticelli
Loves: Chocolate
Hates: A lack of chocolate
End-of-year goals: Sorting out a decent painting set up in my new studio, previously I have made short-term makeshift easels etc, but now I’m going to spend some time getting it right from the start
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Max Xeno Karnig
Painter Max Xeno Karnig transforms everyday objects and cinematic icons into modern-day mythologies, blending them seamlessly with the reverence found in classical Western art. From Christopher Walken to Jean-Paul Belmondo, his enigmatic paintings place these figures against mysterious backdrops, delving into themes of desire, satire and the absurd. Drawing inspiration from historical painters he admires, Karnig arranges his subjects into playful compositions that resonate with both homage and innovation.
Age: 34
Location: Los Angeles, California
Last dream you had: I quickly forget my dreams but that is what painting is for
Favourite exhibition: ‘Raphael’ at The National Gallery
Favourite object you own: Every day is a new obsession
Favourite art-world Instagram account: @rimanellidavi
Favourite movie: Teorema (1968) by Pier Paolo Pasolini
Favourite artwork: La Fornarina by Raphael
Loves: Pasta, surfing in the late summer evening with friends, antiquated pigments, lavender spike oil, Patricia Highsmith, James Joyce, returning to favorite paintings in a museum, a well-fitting pair of trousers
Hates: Hate itself
End-of-year goals: To have even more fun every day making my work
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Ellen Hanson
Painting on textiles stretched over bars, Ellen Hanson interrogates the performative nature of femininity. Beginning with charcoal sketches on elastic cotton, Hanson stretches the fabric to distort her figures, embodying the strain of womanhood. Layers of oil paint smooth over the exaggerated forms, adorned with delicate hints of decoration, crafting an illusion of perfection. Her artworks confront the contradictions of womanhood’s societal constructs, where expectation clashes with reality and the fear of falling short looms large.
Age: 32
Location: Mexico City
Last dream you had: Being in a big house that was like a life-size version of a Polly Pocket house with everyone I know
Favourite exhibition: I still think about the Mike Kelley retrospective I saw at the Pompidou in 2013
Favourite object you own: My sewing machine
Favourite art-world Instagram account: @sporarts
Favourite movie: Right now it’s Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1976) by Chantal Akerman
Favourite artwork: The Dead Toreador by Manet
Loves: SR Harris fabric store in Minneapolis, reading by the lake, scheming with friends
Hates: Heartbreak
End-of-year goals: To finish the 22 paintings I’m making for my first solo show in LA