Matthew Holman is a writer and critic. He often writes on art and politics; his criticism has been published by Critical Quarterly, Frieze, Apollo, Burlington Contemporary, and The Art Newspaper, and his long-form essays have accompanied exhibitions at Thaddeaus Ropac, Cahiers d’Art, Nahmad Projects, Waddington Custot, and elsewhere.
Adam Pendleton: “Abstraction is a big question”
Sabine Moritz: “Everybody has an August, everybody has a midnight”
AI is catching up with artists. So, are we really irreplaceable?
Anthony Cudahy’s lessons in perseverance and saintly patience
Richard Prince’s hall of smoke and mirrors at Gagosian London
Perron-Roettinger thinks outside the box
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