Perfect Day: Matthew Clark of United Visual Artists
The art of The Chemical Brothers: “We want people to be overwhelmed”
Rituals, cults, conspiracies: the living memory of Mike Kelley
The who’s who of the new Bloomsbury Group
The Commute with Pilar Corrias: “I’m finally realising a dream – it’s been a long time coming”
Why are artists obsessing over Medusa?
Frieze Week scene report: “Sure, the bogs have flooded, but a shitshow this is not”
David Salle’s Rejection Letter: “Too much self-criticality can be fatal, but not enough is just as dangerous”
Erwin Wurm’s Perfect Day: “I’d ask Piero Manzoni if it’s really his crap in the can”