Esteban Jefferson’s tableaux of murder, protest and power
The Exchange: Sylvie Fleury and Esben Weile Kjær
Barbara Wesołowska on false memories and the spectral qualities of paint
Why are artists obsessing over Medusa?
Richard Prince’s hall of smoke and mirrors at Gagosian London
Frieze Week scene report: “Sure, the bogs have flooded, but a shitshow this is not”
Plaster Private Eye samples Saatchi Yates’ Wine
David Salle’s Rejection Letter: “Too much self-criticality can be fatal, but not enough is just as dangerous”
Arlette’s rocky ride through love, faith and masculinity